Why I’ve Given Up Hope For Cyberpunk 2077

A short essay on marketing, flavor text, and Poe’s Law

Cyberpunk 2077 is no stranger to controversy when it comes to its behavior towards trans people.  Faith was all but lost when their official twitter replied with a transphobic meme.

They said sorry, and there’s a rumor that whoever tweeted this was fired, who knows though.  The point I want to make is highlighted by this nearly year-old tweet. In order for this joke to be funny, you have to believe that misgendering is funny when it’s been shown that doing so leads to higher suicide rates. This types of jokes come at the expense of trans concerns and always from an outsider pov.

Many found new love for the name when Keanu Reeves appeared by surprise announcing he’s in the game. Known for the Matrix, a movie that has strong trans themes and was made by two trans siblings. And as much credibility Keanu can bring, Cyberpunk 2077 has a huge problem: Poe’s Law

It’s an internet adage that says without a clear indicator of the author’s intent, it is impossible to create a parody of extreme views so obviously exaggerated that it cannot be mistaken by some readers for a sincere expression of the parodied view.

This week at E3 when they showed off more of the game, a lot of people saw a new problem. Namely, this fictional soda ad:

On it you have a femme model with a penis showing, which caused many to ask why. And the art director was quick to defend saying, “their beautiful body is used — for corporate reasons.” as reported by Polygon. Not only am I concerned that irony has died in the year 2077, but here’s where Poe’s law kicks in.

The art director went on to say:  “In [the year] 2077, especially with how much body modifications are available, I think people just mix and match however they want, however they feel. […] This is not to say that the player should see this kind of advertising as good. Redesiuk said that it was designed to feel jarring and overly aggressive, like all the other ads in the game, but not because of the femme-presenting trans model.

While that’s all well as good, it has the same problem that “did you assume my gender” jokes have if not something worse and worthless.  2077’s critique of “soda companies sell to trans people” is not criticizing rainbow capitalism. It’s hardly even critiquing capitalism. It’s largely saying “isn’t it edgy to be trans, mix it up, buy two of our sodas and combine them.”

Let’s look at Watch Dogs Legion, another do crime ‘n hack shit game coming out around the same time. In the top image, their flavor text images show something that is clearly pro-nationalism, and if you ‘misread’ or even agree with these ads the whole plot is there to correct you. It’s a game about subverting the police state, something they make known from the first seconds of the trailer.

Cyberpunk 2077 (shown again as the second image above) instead uses this background space to have two meaningless ads and then this one. And here’s the point I don’t think I can emphasize enough. If you “misread” 2077’s ‘critique of capitalism’ you end up with ‘soda companies are selling transgenderism, aren’t they out of control?!” That’s a problem, one the developer CD Projekt Red could have easily avoided instead of trying to play a double negative about hypersexuality.

But instead, their defense is: There are many examples of hypersexualized women, hypersexualized men, and hypersexualized people in between. […] You fight against corporations. That [advertisement] is what you’re fighting against.”

In 2077, the “we’re not sexist, we objectify everyone” defense is still around?
That’s cispicious.

Nemesis Series Review 1 & 2!

Today I’m reviewing two books! Dreadnought and Sovereign both by April Daniels. Here’s a quick overview of the series before I give you my thoughts on each.

About The Book: Danny Tozer has a problem: she just inherited the powers of Dreadnought, the world’s greatest superhero.

Until Dreadnought fell out of the sky and died right in front of her, Danny was trying to keep people from finding out she’s transgender. But before he expired, Dreadnought passed his mantle to her, and those secondhand superpowers transformed Danny’s body into what she’s always thought it should be. Now there’s no hiding that she’s a girl.

Dreadnought’s murderer—a cyborg named Utopia—still haunts the streets of New Port City, threatening destruction. If Danny can’t sort through the confusion of coming out, master her powers, and stop Utopia in time, humanity faces extinction.

Dreadnought

That’s it, that’s my whole blackout poetry inspired review for Dreadnought. Kidding! This book shines by interweaving own voice experiences with a world where a kid picks up the mantle of a famous superhero. It also has the worst bad guys in any story I’ve seen in a very long time. There’s nothing redeemable about them, but since their motivations are so every day I found myself rooting for their downfall even harder.

sovereign

Dreadnought is back! I normally care most about the plot in sequels since when continuing a story the story is a really important factor. But here, I cared more about how Dreadnought was doing. And that answer makes up the majority of the book. It’s also nice that book 2 showed more community issues giving us a bigger picture of both the superhero and transgender world. There were several lines in this book that were simply brilliant and I stopped to think only a thoughtful author like April Daniel could have pulled them off. Villians continue to be the ~worst~ but to my delight, we also get another trans superhero, Kinetiq, who I love dearly.

I don’t want to spoil anything, but I’m pretty happy how this book ended and I’ll be among the first to nervously and hopefully read a book 3 when we get it.

As a series, I give these two ★★★★½ ! I’d suggest this series for anywho who has ever even vaguely enjoyed superheroes, burnt out on the “trend” or not this story has something unique and powerful to offer.