Without Benefits Cover Reveal!

A little less than three months from now,  Without Benefits will be showing up on doorsteps and in e-readers! But today we get a first look at the amazing cover, designed by Ashley at Cardboard Monet! Ashley even did a special photoshoot just for this cover. So check out the cover and make sure you scroll down to the giveaway below!
About the book:

Emma will always be a New Yorker at heart, even though she has a perfect life in Seattle. She has a prestigious job fundraising for the Seattle Symphony, a handsome boyfriend who adores her, and a Belltown apartment with views of the Sound. It should be more than enough to keep her pain from not playing the piano, and her 9/11 nightmares, away.

But when her old college crush, Owen, comes back into her life, it’s more than just spending time with him that’s causing cracks in her picture-perfect life. As she steps back on stage, and back into the spotlight, her connection with Owen and his world, dredges up old memories that Emma worked hard to forget.

Emma’s past comes back to haunt her, forcing her to face the truth about more than just her fears of returning back to New York. As her once perfect life begins to burn down, Emma is forced to figure out what she really wants: her fundraiser and cocktail party-filled life with her boyfriend, or forging a new future with the one thing, and one person, she’s ever loved–even if it means returning to New York.

Without Benefits  is a beautiful and moving exploration of modern relationships and family written in the vein of Taylor Jenkins Reid and Renee Carlino.

So here it is…

The moment we’ve been waiting for…

 

WithoutBenefitsCover

Isn’t it gorgeous? Pre-order your copy today!

And you can win a bunch of really neat stuff. Like seriously just go look what Nicole is giving away for this. It’s awesome~

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About the author:
Nicole Tone is a freelance editor, MFA student, traveller, pet collector, binge-watcher, and a self-proclaimed coffee snob. She lives in Buffalo, NY with her husband, three cats, and two very large dogs, but spends as much of her time in Seattle as possible. You can like her page on
Facebook, Twitter,  swoon over dream houses together on Pinterest, and add Without Benefits on Goodreads.

From Under The Mountain Review

 

FUTM Cover

Let’s be real here, reviews are hard. Or at least for me they are. They feel even harder when I have to describe something like From Under The Mountain. It starts slow like all of this genre does, but then becomes a friend. The world and the characters bit by bit reveal themselves to you. And my main questions while reading become ‘what are they up to’ and ‘are they okay’?

Another thing I’ll forever be grateful for is there is no shock for shock value here. I got to enjoy the diversity without having to tolerate bull to get there. There was some gory, and spooky things but they all felt like a true part of this world.

While I length of the paperback lends itself akin to a weapon, I just might use it as such if I could have all the questions above answered now. Is Theo okay? Will he stay okay? How about my baby girl Guerline? Ahem, I mean four out of five stars to From Under The Mountain.

If you aren’t convinced yet check out this book’s amazing author:  Cait Spivey is a speculative fiction writer, author of high fantasy From Under the Mountain and the horror novella series, “The Web“. Her enduring love of fantasy started young, thanks to authors like Tolkien, J.K. Rowling, Diane Duane, Tamora Pierce, and many more. Now, she explores the rules and ramifications of magic in her own works—and as a panromantic asexual, she’s committed to queering her favorite genres.

Darkly cinematic, From Under the Mountain pairs the sweeping landscape of epic fantasy with the personal journey of finding one’s voice in the world, posing the question: how do you define evil, when everything society tells you is a lie?

Where To Grab a Copy: Amazon | Reuts Publications | Goodreads

 

Featured Wattpad Science Fiction: Bone Diggers

I have so much to say about Wattpad and I don’t really know where to start. So, let’s start with the news. Bone Diggers was selected to be featured on the website!

I was literally jumping up and down when I was approached for this. Posting on Wattpad has been such a surreal and wonderful thing that is so different than traditional publishing routes. I don’t consider Bone Diggers published. Being published means the end of the writing and editing side. This experience was more like inviting a bunch of strangers along with me as I write, edit, and then in the coming future, publish.

I mean, look at this map. Look at all of you. People all over the world hitting up the internet because they want something new, want something shared with them.  Again, and forever, thank you for sharing this with me.

>> Ready to load Bone Diggers? 

 

Dragon Age, Glowing Hands, and Disabilities

There is a new genre called empathy games. These games have the goal of making you empathize with the main character to show a point. Generally that you aren’t the one in power, but to some small degree I believe all games are empathy games.

I think a lot about representation in fiction, and lately about the representation of disabilities, everything from ‘my knee gives me a lot of trouble’ to those who rock a wheelchair. (I’ve been thinking a lot of legs specifically because mine have been hurting a lot. But, stay tuned maybe I’ll talk about a abdominal pain like I’m a Super Bowl ad.)

I’ve been fairly impressed when it comes to TV characters who have leg troubles. On TV now, there’s Raven from The 100 and Felicity from Arrow. As fantastic as they both are I started to wonder if there was a medium that could showcase the constant struggles better. And after a really tough and unusual boss battle I realized video games are perfect for this narrative.

No other medium makes you face the struggle. Books, TV, and movies are setup so we are empathizing with someone else. But with video games you are living it. Also little needs to be done to make these Triple A titles show disabled characters of all ranges.

Yesterday’s game of choice was Dragon Age: Inquisition so I’ll loosely use it to explain what I mean then you can apply it to your own beloved game.

This whole train of thought started because Dragon Age doesn’t have cure anymore. I’m usually the type of player who likes having a full health bar in order to kick ass, but now that’s practically impossible. After playing for a while I noticed how I played was different. I didn’t get nervous if it wasn’t full, I’d even take fall damage to save me some time. I started to live with that fact that health isn’t going to be perfect. And as someone who now has a chronic illness riding shotgun that’s a pretty good metaphor. You have to live with your “health bar” not being at 100% most of the time. In video games saving the world with very little health left is almost common place.

The game now has barrier instead of heal. Barrier gives you an extra bar that lasts a certain time and protects your real HP. Now it isn’t an exact comparison but imagine this was your self care. Even if you’re a squishy mage or have low health it doesn’t matter as long as you protect yourself in other ways.

Health is less important than it’s ever been before in other Dragon Age games. Your character is undeniably disabled, but no doubts arise because of this from the other characters. You are still their leader.

In Dragon Age you are given a party of four. In the real world asking for help can be tricky, but the game encourages you to have the help of others. You could play solo, but parties are actively rewarded.

And in video games in general, starting all the way back with Doom, you learn to keep fighting even with a busted up and bleeding face. If you or the NPCs get knocked out they get up for the next battle. All really important life lessons.

Yesterday, I had three mages and a rogue face a boss that had 39 times more health than my whole party combined. It was horrid planning on my part, but the party made me happy and now we were stuck. I had to shake things up and literally bring the fire. By taking my time and breaking the problem into smaller bits I was able to win.

So even if your real life “health bar” isn’t what others have, you just need to plan and take your time in order to knock down really any beast in the world. In Dragon Age Inquisition that sometimes means the boss and sometimes means the day because your glowing hand is acting up. I’d love to see games actually incorporate their graphic interfaces to show disabilities in a real way because no other platform can show it like they can.

Love and Sex in Literature

A guest post by amazing Cait Spivey

I learned sexual desire from books and film.

At least, what it looked like. What it sounded like. How it is discussed. With that accumulated evidence, I got very good at acting out “desire,” even though it was at best boring and at worst, deeply uncomfortable.

When I came out, there was a lot of, “But you seemed interested in sex before!” As always, it’s difficult to explain, to those who don’t feel displaced by it, the pressure of constant messaging that seems to declare this is how normal people are, you are messed up, something is wrong with you. I learned and demonstrated sexual desire because I thought I had to, because it was expected, because it was bad enough that I kept falling in love with girls but at least I knew what that was.

I learned desire from books; I never learned that desire isn’t mandatory.

This is something I want to rectify in my books. In From Under the Mountain, it must be said, there’s not explicit representation—I was limited by both the setting (in which our modern terminology feels jarring) and by the pace and focus of the story. Only Eva and Guerline have time for a romantic relationship, and not much of it at that. But you can take me at my word when I say that canonically, Theodor Warren is panromantic asexual, and Aradia Kavanagh is aromantic asexual, and Guerline herself is a demisexual lesbian (something that gets explored more in the sequel).

[As an aside: last week, I tweeted a bit about how I love writing large casts, and I encourage readers to explore for themselves and fill in things I don’t put on the page. Some secondary and tertiary characters have canon attached to them that I may never get to share—for many, I haven’t had a chance yet to fully explore their lives. So many stories live in this world, and if you know them, by all means tell them.]

In most of the media I’ve consumed, sex scenes just seem like set dressing. Perhaps this is the point where my ability to empathize with allosexual people ends, but I’ve never seen a sex scene that feels powerful or necessary to the story, because sweaty bodies getting fluids on each other isn’t meaningful to me. It seems to me that what’s meaningful is all the emotions leading up to and following that—affection, vulnerability, passion—and one doesn’t need to bump uglies to get the most out of that cocktail. And even if that’s something one wants in real life, it’s not going to aid the storytelling (unless, as in certain genres, that’s the kind of story being told).

“But Cait,” you say, “You included a sex scene in From Under the Mountain!” Yes I did. But I’m the first to say it’s not necessary. I wrote it in because there was some hang time in the narrative, and I wanted to give Eva and Guerline their moment. And, as an asexual woman married to a sexual spouse, it was more than a little vicarious—what must it feel like from the other side? Surely it’s transcendent—surely it’s not just a sometimes pleasant sensation, akin to curling up in front of a fireplace? I’ll have to rely on others to confirm the level of my success.

It’s honestly funny to me how resistant some can be to writing asexual characters or, in fandom, theorizing that a character could be asexual. I get that desire must be powerful to those who experience it; I can understand that many view sex as some kind of Important Rite without which love is just really intense friendship, or something. I mean, they’re wrong about that last part, but I understand how they came to that conclusion.

But in these stories, the sex isn’t what makes us love these characters—right? It’s the characters themselves, and the relationships between characters that draw us in. Romantic relationships, friendships, family bonds. Sexual desire, contrary to popular belief, is not inherent to romantic love, and romantic love is not the only compelling kind of relationship.

There are many, many books, films, shows, out there that present love without sex, but the sex is always assumed—by fans, by creators, by a society that presupposes the universal importance of desire. My question is, why? Kisses, sex, they’re actions that, like all our actions, have only as much weight as our emotions give them. I’m as happy as anyone when my favorite ship finally kisses for the first time, but the kiss isn’t the only thing that can make me happy. I want Dean to kiss Cas because I know Dean is a sexual person, but I felt the same giddy rush when he said I need you.

I struggled to find a way to end this post, because one should at least try to put forth a solution when bringing up a problem. The problem is that the heavy focus on sexual desire in relationships erases a lot of people. It makes us doubt ourselves, it makes us submit ourselves to what is expected, it threatens us with these expectations.

How, then, to solve this?

I’ve decided to start a new feature on my blog called A+ Ships, to highlight ace characters and their relationships, gush over the connections and the moments that fuel them. With any luck, this will give us a space to celebrate our identities, and spread the word about how awesome we are.

Happy Book-Day to From Under The Mountain

Oh boy, do I have a lot to tell you. I think this tweet sums it up however.

tweets

 

 

 

 

 

That’s right,  I started a book club. Do I know how to run a book club? Who knows.  I mean yes! Over 300 people have offically signed up and I send out what feels like 100 review copies. ‘Well, that’s nice, but what is Ace Book Club,” someone asks.

It’s a club where books we read either have an asexual spectrum author or have canon asexual characters within them. (Sometimes both) We will focus mostly on new-ish releases and indie authors. You don’t have to be ace yourself to read or join. If you’d like to join the club is everywhere: Tumblr | Twitter | Goodreads | Facebook

FUTM Cover

I picked From Under The Mountain because it came out on my birthday! That seemed like a pretty serendipitous way to kick off the book club! Plus I’ve had the pleasure of getting to know the author both a bit personally and professionally so I’m excited to collectively check out this book with you.

Cait Spivey is a speculative fiction writer, author of high fantasy From Under the Mountain and the horror novella series, “The Web“. Her enduring love of fantasy started young, thanks to authors like Tolkien, J.K. Rowling, Diane Duane, Tamora Pierce, and many more. Now, she explores the rules and ramifications of magic in her own works—and as a panromantic asexual, she’s committed to queering her favorite genres.

Darkly cinematic, From Under the Mountain pairs the sweeping landscape of epic fantasy with the personal journey of finding one’s voice in the world, posing the question: how do you define evil, when everything society tells you is a lie?

Where To Grab a Copy: Amazon | Reuts Publications | Goodreads

 

The Future of Bone Diggers

I promised a surprise today, and here it is, a trailer featuring the song Why We Lose! (Which seriously has to be one of my favorite playlist songs) Instead of having a traditional trailer I decided that featuring the comment section would be more fitting way to wrap up the year. That way you can see the literal ways people help make Bone Diggers year– I mean 2015 so special. It also features brand new fnVR graphics to help blend the fiction with reality. Because if Bone Diggers was about one thing it would be that duality.

“Bone Diggers has queer characters that are defined by much more than their sexual preference, character driven story, passionate rage-based violence, and religious imagery. I’m always a slut for this right here.” – John Lopez

I can’t thank the people above enough for taking a moment to comment. Or the people who tweeted me about Bone Diggers, or even the silent readers who just added to the page count. 2015 was a great year because of Bone Diggers and you.

 And for the future~

For those who haven’t read Bone Diggers yet: The story will be staying on Wattpad and you can now read it all without wait! Cliffhangers are no longer a match for you! The story will be getting plenty polish over this year and I hope to have it published in ebook and paperback in 2017. That’s quite a long time from now, but it gives you plenty of ways to join in!

For those who have read Bone Diggers:  We also have something special for you! Instead of weekly new chapters we are going to have DLC chapters posted every first Friday! These chapters might be alternative chapters, ‘deleted scenes’ or AUs where we can play around with everyone in a different setting or game type. First Fridays here are a community gathering and we hope you enjoy these extra one-off chapters to get extra kisses and other fun in.

Merry interview time with J.M. Frey!

The Untold Tale coverToday I have an amazing interview from author J.M. Frey. We talk about The Untold Tale, fandoms, fic, and other untold tales in life as a writer. But, first let me tell you more about the novel!

About The Untold Tale:
Forsyth Turn is not a hero. Lordling of Turn Hall and Lysse Chipping, yes. Spymaster for the king, certainly. But hero? That’s his older brother’s job, and Kintyre Turn is nothing if not legendary. However, when a raid on the kingdom’s worst criminal results in the rescue of a bafflingly blunt woman, oddly named and even more oddly mannered, Forsyth finds his quaint, sedentary life is turned on its head. Dragged reluctantly into a quest he never expected, and fighting villains that even his brother has never managed to best, Forsyth is forced to confront his own self-shame and the demons that come with always being second-best. And, more than that, when he finally realizes where Lucy came from and why she’s here, he’ll be forced to question not only his place in the world, but the very meaning of his own existence. Smartly crafted, The Untold Tale gives agency to the unlikeliest of heroes: the silenced, the marginalized, and the overlooked. It asks what it really means to be a fan when the worlds you love don’t resemble the world you live in, celebrates the power of the written word, challenges tropes, and shows us what happens when someone stands up and refuses to remain a secondary character in their own life.

No need to wait for Santa, you can get it now! 

Q: The title of The Untold Tale has such a classic feeling. Could you tell us the story of how you settled with that title?JMFrey_Author Photo

A: Oh, gosh, it was a process. I usually don’t title my books right away, so the filenames are generally something really snarky like “The One With The Gay Blue Aliens” (which later became Triptych.)

The Untold Tale was originally “That Meta-Thingy”. After the first draft was done, I started searching the manuscript for a great line or phrase to use. I really liked the titles of books like The Knife of Never Letting Goor Where the Red Fern Grows, and I wanted something like that. But nothing in the book really stood out like that.

I asked friends, asked beta readers, asked my agent. I think at one point I had a list of about fifty possible titles. I finally landed on Between the Lines and really adored that title, but when I Googled it, it turned out to be a Jodi Picault novel. Next I went with Untold, and that’s where the book lived for a few weeks, and then Sarah Rees Brennan released a novel with that title.

I’d already had problems with people mistaking my Triptych for Karen Slaughter’s, so I wanted something unique. In the end, after about a year, my agent and I finally landed on The Untold Tales of Turn, and then in the middle of her shopping the book, I shortened it to simple The Untold Tale, because that’s what the book was, in essence. It’s a tale that hasn’t been told yet.
And boy howdy, the process was just as loopy and frustrating for the next two books in the series, too. The Publisher’s Marketplace announcement lists them as “The Returned Tale” and “The Final Tale” but I didn’t think those were evocative enough. Those were I’m-panicking-and-I-only-came-up-with-these-story-ideas-and-titles-three-days-ago titles. Once I’d actually had the opportunity to discuss the books with my acquiring editor, Kisa Whipkey, and we’d decided what the next two books in the series would really be about, we started brainstorming titles. They ended up being The Forgotten Tale, and The Silenced Tale, and they literally could not be more perfect.

Q: What is your favorite thing about fandoms?

A: For me it’s the sense of community. It’s the tribe of it. I can (and have) look across a room, see a woman with a fan-art printed bag, and know, instantly, that this is a person that I will like and have something in common with. They say watching people read in public is like seeing a book recommend a person. With fandom, it’s the same. It doesn’t matter who you are, what your age, gender expression, ethnicity, religion, sexuality, etc. if you are wearing a Stargate SG1 mission patch on your coat I know in an instant that you are someone that I will get along with.

I also love the creativity that is expressed through fandom. I adore the idea of someone so moved by a story, so engaged that they can no longer simply passively consume it. They must seek out more, and make more. They have to write, or cosplay, or make art, or go to conventions, or RPG online. That’s stunning. And as a creator, that’s flattering as all get out. I really hope that people will be inspired enough by my work to create fanworks. I think there’s no better way of telling an author you love what they wrote.

Q: After studying them for a while, have you noticed a change with how readers either react or interact?

A: Well, I mean, the readers I studied for my MA were all internet-based; I began with research in Yahoo Groups before Tumblr was even a twinkle in its creator’s eyes. And the only really difference I see is that the intense and deeply engaged discussions are happening on public walls instead of in closed-room groups that can sometimes become echo chambers of bias, to their detriment. This means the discussion is open for anyone to jump into.
Now, sometimes this opens the way for bullies, trolls, flamers (do we even use that word any more?) and douchecanoes, and I can absolutely say that I’ve seen a rise in the self-important entitled troll. But I’ve also seen a rise in diverse discussions, where people with differing opinions, or new information are welcomed into the thread and conversation, and their contribution is welcome, celebrated, fairly considered, and replied to politely. And I think that’s fantastic. Discourse can only be augmented by fairly reasoned, well researched, interesting additions. It’s just unfortunate that it’s also been joined by the rise of the entitled whiney trolls.

Q: What advice could you give to people looking to add more diversity into their own stories?

A: Ask yourself “why” more often when you’re creating your characters. For example, “Brian is a straight, white, man.” Okay, but ‘why’? What about this character Brian is inherently straight, or white, or male? Why does Brian have to be any of those things? Why is that the default? Why can’t Brian be Brienne, and not straight, and not white? Will it ruin the story?
The thing is, the world is not homogenous, and groups are not monolith. The default is white, and straight, and male, and it should not be. The white straight male is a sliver of the population of the earth. It’s time to start making art that shows the rest of the human race as well.
And once you’ve decided to make Brian different, be meticulous, fair, and as unbiased in your research as you can be. Figure out what the stereotypes are for Brian’s gender expression, sexuality, ethnicity, etc. and avoid them. Create a whole character, not just a caricature, and do it with as much thought and care as you would any “default setting” character you may write.
And most importantly, do not tell the stories of diverse writers FOR them. Include diverse characters, but don’t co-opt their voices and experiences.

Q: We’ve talked about fanfiction before, what sort of fanfiction would you love to see with your characters or worlds?

A: I tried so hard to write the “how they got together” story for one of the couples in The Untold Tale and every single time I tried to write it down, I could never do what was in my head justice. In the end, it was removed from the book completely because it didn’t work with the novel’s single narrator POV. I would just die with joy if a whole spate of “how they got together” fics sprouted up!

Q: In a few tweets, it’s been mentioned that there is another whole level under what is written that is filled with personal things like “I was on the train when I wrote this scene.” Could you tell us a moment of The Untold Tale that is soaked with one of these memories?

A: What I was talking about that series of tweets was the nostalgia of rereading one’s own writing. Books are intensely personal because there is a lot of the author in not just the story, but because the creative journey is long and laborious, and when we re-read our own work we inevitably are also experiencing the memories of when we wrote that part. We experience not only the book, but where we were when we wrote that bit (or cut it out again). For an author, a book is not just a story. It is also an emotional time capsule of who we were, and where we were when we wrote it.

For me, I think one of the scenes packed with the highest number of emotional moments for me is the ball at Turn Hall in The Untold Tale, where Pip dances with Bevel and Kintyre, and ends up telling them off. That rant was the very first thing I wrote for the book, and it came from an extremely long and infuriating conversation I had with a male friend where I tried to explain to him what it felt like to never be the intended audience. I couldn’t argue with him anymore, I was too emotional, so I fled into my office and ended up writing it all out.

I came back to that scene a lot to recapture Pip’s rage, and so I read it everywhere – on planes, on trains, overseas, under the covers, and out loud at several workshops, coffeehouses, and reading series.

And now there’s a new layer! I was out at a pub listening to the Steel City Rovers play, and they did an instrumental song called Aibhlinn’s Dance.About five bars into the song I burst into tears, and had to hide my face in my sleeves because the song was exactly what I’d had in my mind for the “Waves Upon the Shore Dance”, which Pip and Bevel dance at the ball. I was absolutely slammed with the memories of writing and reading the scene aloud, all at once.

Now when I reread the scene, I hear this song in my head and it makes it even more perfect and emotionally gripping for me.

Q: I know I’m really excited for The Untold Tale, what are some upcoming things you are excited for?

A: SLEEP! No, seriously, I really am looking forward to that. I’ve been really pushing myself to finish a few more projects before the release of The Untold Tale so I can just enjoy the celebrations. (As soon as I finish this interview with you, I am rushing straight back to a screenplay that is THIS CLOSE to being done.)

In terms of stories, I’m pumped for Captain America: Civil War and the Sherlock: The Abominable Bride. And of course I hang on every page of Meagan Kearney’s Beauty and the Beast, and series two of The Riftworld Chronicles, if it ever happens.

And I’m super excited to share the #SecretScreenplay project with everyone, once it’s complete and I can tell!

Need more of author J.M. Frey? | Website | Tumblr | Twitter

Pandamoon Publishing Acquires Hello World!

December 12th, 2012 That’s when I first wrote anything for Scott. And from the moment I named Hello World I was in love and from the second Scott had dialogue I was in love with him. So without burying the lead, let me tell you more about Hello World.

Scott’s skills as a surveillance expert come in pretty handy when he’s breaking down firewalls. But hacktivism isn’t enough; he’s going after the holy grail—UltSyn’s Human Information Drives. While plenty of hackers are trying to save the world these days, all Scott wants is to find his sister.

His obsession with finding her leads him halfway around the world. But as Scott digs deeper into restricted databases, he discovers that those who enlist with UltSyn get far more than they bargained for. Plunged into a world of human trafficking and corporate espionage, Scott is determined to find his sister, no matter the cost. But when the information reveals the people closest to him have been working for UltSyn all along, he has to find her—before UltSyn finds him.

I didn’t want to write this post until this moment. And now I’m sitting in the moment and all I can think is wow. Getting a book deal is kind-of like telling news on twitter, or waiting for your keurig to heat up the water. It’s an act that involves you, but is out of your control. And while with a much smaller waiting period you don’t know exactly when that little “Ready” message will display or that tweet will be liked.

I guess in a rambling way I’m saying submitting your book for publication is about hope. You hope you get creamer to coffee mix right, you hope everyone is excited at your news, you hope that everyone loves this creation as much as you do. None of those things are directly in your control, but you hope.

More exactly, it’s about collecting those pieces of hope like stringing popcorn. Each action adds to the wish. Every song, every tweet, every line of text you touch.

I love Hello World, and I hope you end up loving it too.

If you want to know more about my darling new publisher check out Pandamoon Publishing on facebook, twitter, and as always at a dot com

Sachael Desires Soundtrack

Today I sadly have no puns for you. I do however have the soundtrack to Melody Winter’s Sachael Desires so that’s better anyways! And remember Sachael Desires is now available and you can still enter this huge giveaway!

SD2 SONG LIST

Even better than jamming out to some of these killer song choices is the why behind them.

Take That – Rule the World 
The overall theme for Sachael Desires. To me, this is all about how Azariah feel’s about Estelle. It also hints at what’s to come.

Nickleback – If Everyone Cared 
A great song for a moment a chapter that see’s Estelle struggling with other people’s reactions. She doesn’t always agree with the ways in which Sachaels live.

OMD – Our System
I love this song and it fits the moment when Estelle and Azariah prepare for the full moon submergence.

Ben Montague – Miracle 
The perfect song for the perfect moment between Azariah and Estelle.

Linkin Park – The Catalyst 
The Ultimate song about war and revenge. Here comes Orontes!

Evanescence – Secret Door 
When I listen to this I always imagine that I’m under water, traveling to a place that is hidden away from anyone who doesn’t know it exists.

Melanie C – Stupid Game 
Kaimi’s song. This is the song that makes me think of how Estelle would approach him.

Metric – Good Guns Girls 
Another fast and upbeat song which fits the moment when Estelle has more decisions to make.

Enya – Stars and Midnight Blue 
I always think of Enya when I write submergence scenes. The haunting and melodic tunes always transport me to the magic that surrounds Estelle on these nights.

30 Seconds to Mars – Stranger in a Strange Land 
A song that grinds along, threatening what you’re going to do with your enemy. Be careful Orontes!

Paramore – We are Broken
When the person you love is so damaged and broken, they break you as well. The ultimate song for broken hearts.

Bailey Tzuke – Strong 
Quite the reverse of the previous song. The lyrics to this are a wonderful fit for one of the final chapters of Sachael Desires. In the end, when you have a love that’s strong, nothing can break it.

*Disclaimer: This blog is not responsible for any songs getting stuck in your head